Jules Ombak — World

Jules Ombak  /  The World Behind the Work

WORLD

The anatomy of seeing.

I don't always know which fragments of a place will stay with me. Sometimes it's a wave, a texture, a colour, or a form that returns later in paint. I photograph what catches my eye. I paint what refuses to leave it."


Emotion into Form

Rage series

Rage

RAGE

When feeling takes form.

Born from the collision of love, passion and fury.
What began as an eruption of colour gradually took shape through waves, layered paint, gold and fragments of a remembered place.
The painting didn't resolve the emotion. It gave it form

Title Nangandoro Year 2019 Medium Mixed media on canvas

Source impressions

Wave
Goats
Environment

Stages of making

Stage I
Stage II
Stage III

Surface / Detail

Detail A
Detail B

02 / After Australia

After Australia

Red rocks, blue skies & other distractions.

After my first trip to Australia, I found myself painting its red rocks, impossibly blue skies and wonderfully stubborn vegetation. Some paintings stayed close to the landscape. Others wandered into colour, pattern and ornament. A few experiments, a lot of red paint, and an Australian landscape that kept giving me ideas.

Place & Painting

Landscape archive

Field archive / South Australia

Red Country painting

The process

The Series

Kandos
Title Katter Kich (Wave Rock)
Ballardong Noongar Country,
Western Australia
Year 2020 Medium Acrylic on canvas
Kandos II

Other Distractions

Studio work

Wave Rock
Mixed medias

Burrowing

The Red Centre
100 × 120 cm · Oil on canvas


Red Country

Title

Red Country
Ballardong Noongar Country

Year

2024

Medium

Oil on canvas


from surface to wave

Aftermath I

Aftermath II

Aftermath III

The Blueprint

this painting began with colour and texture. Gold, sand, turquoise and deep blue were there before the image fully arrived.
As the work developed, the wave gradually took shape - first as movement, then as structure and finally as a complete painting.
This images show that shift.


THE WORLD DOESN’T STAY ON CANVAS

Sometimes it ends up on a sofa.

Earlier State

Earlier State

Revisited State

Revisited State

On a sofa

On a sofa

Australia’s red earth has followed me into more than one painting.

Apparently, it also followed me to work.

Years later, those familiar shades of rust, ochre and sun-baked stone resurfaced while I was selecting fabrics for Crocus.

Different medium. Same fascination with colour.


Collected
in the wild.

Some images remain photographs.
Others return years later in paintings.

Komodo Archipelago

Komodo Archipelago / Indonesia

Fine Art Photography

Recherche

Recherche Archipelago / Western Australia

FieFine Art Photography

Argentina

Argentina / Visual Archive

Fine Art Photography


Made on
Tilda